Sunday 10 May 2009

Lost Knives alternative review...

They’ve gone from Hot to Lost; pretty soon they’ll be discovered too…

You’re a seven week old band, playing your 2nd gig. What scenarios would you prefer to avoid? Having to change your name due to the fear of being sued? Falling foul of piss poor scheduling, seeing to it that you take the stage 90 minutes later than expected? Finding out your backing singer is Michelle McManus, who is stoned, hallucinating and thinks you’re actually a cheeseburger?

OK, so the final scenario is a little ridiculous. The first two unfortunately, have happened to the newly named Lost Knives.

You wouldn’t have guessed it judging by tonight’s performance. To say it was flawless would be to lie. There were problems, an errant plectrum and a snapped guitar string almost scuppered things, but all in all this was a tighter display than their first, nervous outing two weeks ago.

‘Cold Morning’ opens the set, introducing the band. Specifically front-man George Agan. His long black coat and lethargic movements liken him to a manic doctor from an old B-movie. The tune itself is laced with samples, dark riffs and sternum shaking drums.

‘Solstice’ informs those who don’t know, this band has two singers. Lead guitarist Steven Mcinerney demonstrates he isn’t a one trick pony with this epic undertaking. The song has real passion in it and shows a great deal of hunger.

Will Clutton demonstrates the ability to bash out a cracking bass line on ‘Nothing Relents’, which is quite apt given the ridiculously cool performance turned in earlier by Whitest Boy Alive’s Marcin Oz.

‘Out of Touch’ rounds things off with its eerie percussion and driven drums; the latter supplied by Joe Craig. These chaps are more than just a guitar band; the different samples and contraptions add another layer and definitely serve to separate them from some of the tripe on the radio. Expect to hear more from them in the future.

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